Passo Mezo (Ballarino)
Katherine Davies, 2004, updated 2016
Katherine Davies, 2016
This mutanza looks rather unbalanced: you go forwards, but not backwards. In practice, it works fairly well: when dancing as a couple both parties can adjust the spacing as they go. The interplay between the path of the woman doing the mutanza and the man doing the passeggio is pleasing.
| bar | step | text (translated) | notes | |
| 1 | spezzato L | The Lady will begin her first variation, doing two Seguiti spezzati flankingly forwards, | ||
| 2 | ||||
| 3 | spezzato R | |||
| 4 | ||||
| 5 | trabuchetto L | and three Trabuchetti grave, beginning with the left foot: | ||
| 6 | trabuchetto R | |||
| 7 | trabuchetto L | |||
| 8 | ||||
| 9 | spezzato R | then she will return to do the same another time on the other side, taking care to do the final Trabuchetto with even feet. |
||
| 10 | ||||
| 11 | spezzato L | |||
| 12 | ||||
| 13 | trabuchetto R | |||
| 14 | trabuchetto L | |||
| 15 | trabucchettoR | |||
| 16 |