Passo Mezo (Ballarino)
Katherine Davies, 2004, updated 2016
Katherine Davies, 2016
This mutanza looks rather unbalanced: you go forwards, but not backwards. In practice, it works fairly well: when dancing as a couple both parties can adjust the spacing as they go. The interplay between the path of the woman doing the mutanza and the man doing the passeggio is pleasing.
bar | step | text (translated) | notes | |
1 | spezzato L | The Lady will begin her first variation, doing two Seguiti spezzati flankingly forwards, | ||
2 | ||||
3 | spezzato R | |||
4 | ||||
5 | trabuchetto L | and three Trabuchetti grave, beginning with the left foot: | ||
6 | trabuchetto R | |||
7 | trabuchetto L | |||
8 | ||||
9 | spezzato R | then she will return to do the same another time on the other side, taking care to do the final Trabuchetto with even feet. |
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10 | ||||
11 | spezzato L | |||
12 | ||||
13 | trabuchetto R | |||
14 | trabuchetto L | |||
15 | trabucchettoR | |||
16 |