A dance for two couples.
Begin with one couple about four steps behind the other. Each man stands to his partner's left, and holds her left hand in his right.
Eight tempi of saltarello, advancing around the room together
Domenico specifies that the eight saltarelli are done in piva misura. The music (as recorded) feels more like quadernaria music to me, so I tend to perform the saltarello in that way.
During the last two tempi of saltarello, the first couple turns around: the man dances backwards while the woman dances forwards, until they are facing the couple following. The couple following may need to take smaller steps.
At the end of this passage, the dancers should be in a square, men facing each other diagonally opposite, and women facing each other likewise.
then women repeat:
then women repeat:
The dancers now take hands again in their couples, ready to begin again if desired.
For the dance to repeat, the first couple will need to turn again to face forwards. I do this by having them repeat the figure they did earlier to turn to face the rear: in their first saltarelli, the man will dance backwards and the woman forwards. The second couple take tiny steps until they can fall in behind the first couple.
When the dance is repeated, the women perform all the figures first. Note that this means that in the third figure, both genders will do pive to their left to go behind their partners, not to their right as previously.
If the music is played many times, men and women may take turns leading.
Some recordings I like dancing to:
Anello, Ballare et Danzare: Dances of 15th Century Italy, Mediva, 2011.
Whole dance played twice. Fairly quick.
Available from the Dolmetsch Historical Dance Society: www.dhds.org.uk
Anello, Forse chi se, forse chi non
Whole dance played twice. A little slower than the Medeva recording, very pretty.
Anello, Eschewynge of Ydelnesse, Misericordia and Gaita
Whole dance played four times. Similar pace to the Forse che si recording.