Part of a project to compare 15th century Italian dances which exist in versions for different numbers of people, danced to the same music.
Gioioso in tre is a straightforward variation on Rostiboli Gioioso. They can be danced successfully to the same music at the same time. The steps for Gioioso in tre are minimally different (one small variation in the bassadanza section), and the figures are often similar, or differ in predicatable ways. The structure and phrasing are identical.
Having learned Rostiboli Gioioso, it's easy to add Gioioso in tre.
Two people | Three people | |
---|---|---|
Genders | man-woman | man-woman-man |
Starting position | standing side by side, holding ordinary hands | standing side by side, holding ordinary hands |
Repeat | man and woman change sides, and leading role, for repeat | men switch places (and roles) for repeat; woman (in middle) person still leads |
Steps | Figures | |||
---|---|---|---|---|
Two people | Three people | Two people | Three people | Misura (music) |
pair of riprese | riprese to left and right, standing side by side | bassadanza | ||
2 sempii 2 doppii |
man leaves, then returns; woman leaves, then returns OR man leaves, leaves more; woman follows, woman catches up |
person in middle circles person on one end, then on the other end THEN people on ends change places, then change back |
||
2 sempii 3 doppii |
2 sempii, 1 doppio
|
advance together | advance together | |
middle person: 2 ripresa end people: 2 doppii turning right |
middle person moves side to side while end people turn in place, "dumb-bell figure" | |||
voltatonda (volta del Gioioso) | turn in place, side by side | |||
saltarello for 16 tempi | unspecified (advance together? free?) | saltarello | ||
movimenti | man, then woman responds | middle, then end people respond | piva | |
doppio | man leaving, or woman catching up | middle leaving, or end people catching up |